Saturday, 29 July 2017

Reading list, 29 July 2017

The Washington Post breaks down the Smithsonian's Kickstarter campaigns for conservation projects (given the costs involved it's probably important to see them as marketing projects as well as fundraising).

Artsy interviews Tom Campbell for their podcast in the week he leaves the Met.

Protests follow Dana Schutz from the Whitney Biennial to a solo show at the ICA Boston - via the New York Times and Hyperallergic.

Objectspace opened on Thursday, in a new space with a newly expanded mission: director Kim Paton was interviewed by the NZ Herald and Paperboy. (I so badly want a Paperboy for Wellington.)

A Canadian government panel debates whether a gift of 2000+ Annie Leibowitz photos warrants the requested $20m valuation for tax credit purposes.

So many interesting philosophical & museumy questions in this venture: Auschwitz Artifacts to Go on Tour, Very Carefully.

Saturday, 22 July 2017

Reading list, 22 July 2017

As part of my support for our showing of Fiona Clark's photographic series Te Iwi o Te Wāhi Kore at The Dowse, I have been reading the Waitangi Tribunal Motonui-Waitara report (1983). It still ashames me how unaware I have been of the history of the area I was raised in.

Marsha Lederman writes for the Canadian Mail and Globe about the return of Haida taonga from museums to communities. Read it and weep, Tiffany Jenkins.

An extract from K. Emma Ng's new book Old Asian, New Asian, from BWB Texts, on The Spin-Off. The book has developed from an essay Emma wrote for the Pantograph Punch in 2015.

More from the Barnes Foundation's collection online project - this time, curator Martha Lucy speculating on what new thinking may be derived from computer (mis)analysis of paintings.

I've only started to grok this myself: 'Not Just Money' from the Helicon Collaborative breaks down where philanthropic dollars are committed in support to cultural organisations.

An idea that's brilliant in its simplicity and catchiness - the Seed Vault releases a collection visualisation in the form of a colouring book.

I'm delighted Lana Lopesi is the new editor-in-chief of the Pantograph Punch.

Nobody wants you damn museum app.

Saturday, 1 July 2017

Reading list, 1 July 2017

Ben Eltham looks at the results of the Australia Council’s national arts participation survey for the Guardian, and it suggests a troubling fall in belief in the importance - even validity - of the arts.

Kyle Chayka's latest, on the international blandness of Tyler Brûlé and Monocle.

Alexandra Lange's latest, on Georgia O'Keeffe, Jane Jacobs, and the Marimekko dress.

Anthony Byrt's latest (it's really good) on Luke Willis Thompson's latest work, at Chisenhale Gallery

A few pieces from the architecture files: Will the renovation of Ottawa's Brutalist national art complex undermine its essential nature? Former Paris stock exchange to be reborn as François Pinault's new art museum. When one architecture firm undoes another architect's work: the Albright-Knox editionMumbai has the world’s second-largest collection of Art Deco buildings but no one notices them.

Your deep-inside-the-sector read: Chris Michaels, Museum business models in the digital economy (the accidental evolution' of museum business models; surge-pricing for exhibition tickets; Netflix for memberships; more pro-active asking for donations).

Your long read: Charlotte Higgins, How Nicholas Serota’s Tate changed Britain.

Saturday, 24 June 2017

Reading list, 24 June 2017

Sing it, sister: Diane Ragsdale, On “looky-loos” and the institutions who are desperate for them and desperate for them to behave.

A few weekends ago I traced the story of Sam Durant's work Scaffold, which was erected in the Walker Art Center's expanded sculpture gardens and then removed before the expansion was opened after protests by local Dakota people. This week in the Los Angeles Times Durant reflected on this, and dealt with questions around censorship.

There are a bunch of quotes in this Artsy editorial by Anna Louie Sussman that get my back up, but it's wide-ranging coverage of a strong trend: Why Old Women Have Replaced Young Men as the Art World’s Darlings

MIA (the Minneapolis Institute of Art) is blogging about its new audience data and loyalty programmes.

Hilary Milnes for Glossy: The anatomy of a pop-up launch. Interesting when thinking about museum expansions / engagement.

I love the polite ambivalence expressed by the people in this NYT article: Jeff Koons Sent Paris Flowers. Can It Find the Right Vase?

Shelley Bernstein explains why when computers tried to describe the Barnes Foundation's collection, they kept seeing stuffed animals.

Saturday, 17 June 2017

Reading list, 17 June 2017

There will never be a definitive list, but this one is worth browsing if only for the photo of Linda Nochlin teaching at Vassar in 1965: The 10 Essays That Changed Art Criticism Forever.

I found this creepy as all get out: MAGA [Make America Great Again] Hats Are the Newest Form of Pre-Teen Rebellion

Colleen Dilenschneider's latest: Do [Museum] Expansions Increase Long-Term Visitation?

Teju Cole's latest: Getting Others Right

Robert Leonard's latest: Michael Parekowhai: The Empire of Light

One of the most influential books in my life: A brief history of feminist literature in New Zealand: Tessa Duder on her classic novel Alex

The always interesting Maciej Cegłowski: The founder of Pinboard on why fandom is good for business

Saturday, 10 June 2017

Reading list, 10 June 2017

Nina Tonga, curator of Pacific Art at Te Papa, writes about 'Pikipiki hama kae vaevae manava: joining our vaka to share our breath or life stories', the museum's co-collecting initiative with Tongan communities in Auckland.

Read Tom Armitage's introduction (bringing together Sontag and screensavers) before you read Zack Hatfield on the forgotten joys of the screensaver.

Jia Tolentino on the end of the (internet) personal essay boom.

Thought-provoking: Chika Okeke-Agulu, 'Modern African Art Is Being Gentrified'.

I love Roberta Smith's language in this review, plus it introduced me to a plethora of new artists: ‘Midtown’: That Chair’s Charming, but Can I Sit in It?

Seb Chan writes about a project with RMIT students to produce visualisations giving insights into ACMI's collections.

Shelley Bernstein writes about the Barnes Foundation's new partnership with a bike-share initiative to reach new audiences.

And in new sites: Auckland curator Ioana Gordon-Smith has started collecting her writing online; veteran American exhibition-maker Dan Spock has started a 'museum tradecraft journal'.

Saturday, 27 May 2017

Reading list, 27 May 2017

It's been a while since I focused on museums & digital, so here's a gathering of links:

ACMI's Lucie Paterson writes up the recent US Museums and the Web conference, and also her visit to trial all the flash things at SFMOMA.

Lucie's post introduced me to an aspect of the new SFMOMA that I hadn't heard of, the interactive gallery exploring the photography collection, poised next to a cafe. Check out the video here.

The Knight Foundation announces $1.87 *million* in funding for digital projects at 12 US museums.

This whole thing squiks me out but it's probably the (near) future: Giving art a voice with Watson: Art comes to life with AI for Brazilian museum goers.

Saturday, 20 May 2017

Reading list, 20 May 2017

I've held off posting a reading list for a few weeks because my reading - or at least, the bits that have stuck - seems to have been so dominated by the New York Times. But maybe it's better just to clear that all out and start again.

One of the contrasts I regularly draw between New Zealand and American art museums is that ours lean very heavily towards the contemporary (bar touring blockbustery shows). Robin Pobegrin looks at how the balance between the now and the thousands of years of culture collected in American museums plays out in ‘Encyclopedic’ Brooklyn Museum Vies for Contemporary Attention.

Seeing the Habitat complex at twilight on a freezing Montreal day, as thin ice plates nudged up against the walls of the harbour, remains one of my most special visual memories. Blake Gopnik reminiscences about Growing Up in a Concrete Masterpiece.

I'm thinking a lot about the Pictures generation right now. Roberta Smith profiles Louise Lawler and her new survey at MOMA in Louise Lawler’s Stealth Aesthetic (and Muted Aura).

Louise Movius's Fake Rain Room gets permanent home in Shanghai looks at unauthorised versions  of the Rain Room design experience being produced in China.

The World Cities Culture finance report (link to a PDF) is way more interesting than it sounds, assessing how major 'world cities' support and fund culture.

In The Art of Complaint, Peter Ireland looks at Grahame Sydney's latest interview crying neglect upon his work by the art establishment.

Adrian Luis on Dismantling Diversity in Museums - for another take, Paula Morris's Making noise for more Māori writers, in which she quotes Marlon James's complaint that diversity is ‘an outcome treated as a goal’.

Sitting in the Fashion section for some reason, but Jennifer Miller's Suffering for Your Art? Maybe You Need a Patron gives a good overview of new models of artist & writer patronage.

Keir Winesmith assembles a list of links to Recent readings on diversity, equity and inclusion in museums

Not art or art world, but terrific writing and/or interesting reporting:

Willa Paskin's The Other Side of Anne of Green Gables, on the new tv adaptation of the classic book series.

Susan Dominus's moving, thoughtful and clear-eyed Is an Open Marriage a Happier Marriage? (Also - check out those uncanny-valley portraits)

Lucia Moses on How Jessica Lessin used her reporting chops to build The Information (aka to build a subscription-based news site that's financially successful).

A fascinating long read on fast fashion and why Britain dominates here by Chavie Lieber for Racked.

Monday, 8 May 2017


Last year I wrote a column for Art News New Zealand about the co-option (possibly flattering, possibly not) of the concepts of 'museum' and 'archive' to brand experiences (such as Glade's 'Museum of Emotions', part of their campaign to promote new room sprays).

Recently two examples of this floated across my feeds. On the one hand, the Museum of Icecream (lying at "the sensory intersection of sweet tooth and Instagram") has migrated from New York to LA, and now includes exhibits tailored to sponsors, including Soylent.

On the other hand, the Adirondack Museum has rebranded as 'The Adirondack Experience, The Museum on Blue Lake Mountain' in a move "designed to lure more visitors to its sprawling 121-acre indoor-outdoor campus". Locally, the Wellington Museums Trust has rebranded as Experience Wellington.

Now I'm just waiting for the Museum of Experiences.

Saturday, 22 April 2017

Reading list, 22 April 2017

Anne Helen Petersen on The Radical Feminist Aesthetic Of "The Handmaid’s Tale" (the tv series); follow it up with the New Yorker's profile of Margaret Atwood by Rebecca Mead.

This show sounds amazing: Adrian Searle reviews Queer British Art 1861-1967 for the Guardian.

A real long read: Helen Rosner argues The Real Legacy of ‘Lucky Peach’ Is How It Looked on Eater.

Holland Cotter on MOMA's Making Space: Women Artists and Postwar Abstraction for the New York Times:

These shows are invariably moving, surprising and adventurous. The present one certainly is. But they have too easily become a new normal, an acceptable way to show women but keep them segregated from the permanent-collection galleries. In other words, they are a way to keep MoMA’s old and false, but coherent and therefore salable, story of Modernism intact.

Yet another dissection of Thomas Campbell's ejection from The Met - scroll down, it turns out the failing gift store was at the bottom of it.

A truly terrific interview with Kara Walker, by Doreen St. Félix for Vulture.

Philip Kennicott's review of visiting the Kusama exhibition at the Hirschhorn like a normal pleb is less whiny and more thought-provoking than the headline would suggest: I went to Kusama and all I got was this lousy selfie.

The Los Angeles Times is running a series on what L.A. would look like without government arts funding.

Saturday, 15 April 2017

Reading list, 15 April 2017

Emma Ng has been commissioned by Design Assembly to write four essays over the time between the American and New Zealand elections - she kicks off with 'What does a fact look like?'.

Calvin Tompkins was clearly writing this New Yorker profile on painter Dana Schutz well before the controversy erupted over her work Open Casket (an interpretation of the famous photo of murdered African American teenager Emmett Till in his coffin) at the Whitney Biennial. His piece helpfully provides more context on the artist and her career up to this point - as well as some insight into her own feelings on the outcry.

New(isH) Auckland free magazine Paperboy is commissioning some great arts writing. Here's Anthony Byrt's piece from their recent issue focused on homelessness, 'How artist Kalisolaite ‘Uhila made a statement by vanishing into the streets'.

Queueing this up for the weekend - Artsy's latest podcast, on the history of the white cube gallery.

This would be comedic, if it weren't so demoralising: 'Jeff Koons’s New Line'.

A fascinating read from Rachel Cooke for the Guardian: 'Eric Gill: can we separate the artist from the abuser?'

Tim Murphy interviews e-Tangata co-founders and editors Tapu Misa and Gary Wilson as BWB Texts publishes a best-of selection of essays from the site.